{"id":18289,"date":"2021-12-02T16:28:38","date_gmt":"2021-12-02T14:28:38","guid":{"rendered":"https:\/\/emiliaromagnateatro.com\/?page_id=18289"},"modified":"2021-12-02T18:26:28","modified_gmt":"2021-12-02T16:26:28","slug":"between-lands","status":"publish","type":"page","link":"https:\/\/emiliaromagnateatro.com\/en\/between-lands\/","title":{"rendered":"Between Lands"},"content":{"rendered":"

\"\"<\/em><\/p>\n

Between Lands is a network for the mobility of artists that connects Emilia Romagna Teatro to other international partners from major European cities: KVS – Brussels (BE), Teatro Calder\u00f3n de Valladolid (ES), La Com\u00e9die – CDN de Reims (FR), Teatro National S\u00e3o Jo\u00e3o – Porto (PT), Teatre Nacional de Catalunya – Barcelona (ES), Onassis Foundation Athens (GR).
\nBetween Lands is a project born from the need to foster a common vision of the world and of the role of cultural institutions, by promoting the idea that culture plays a prominent role in maintaining peace and democracy.
\nFrom one country to another, we undertake a “journey into the Europe of civic values”, with the ambition of building international collaborations, through artistic exchanges and the sharing of spaces for reflection, discussion and transmission.<\/p>\n

In Between Lands each theater commissions a writer.
\nSeven short works, written by seven authors and translated into each language of the partnership, are staged as mise en espace<\/em> in a variety of forms and languages by the directors of the partner theaters under the common name of Running for Democracy<\/em>.<\/p>\n

PLAYWRIGHTS
\n<\/strong>Rachida Lamrabet (BE), Pier Lorenzo Pisano (IT), Jos\u00e9 Manuel Mora (ES), Charlotte Lagrange (FR), Micka\u00ebl de Oliveira (PT), Lena Kitsopoulou (GR), S\u00edlvia Navarro Perramon(ES)<\/p>\n

The writers taking part to the project are:
\nPIER LORENZO PISANO<\/strong> is the Italian writer and theatre and film director choosen by Emilia Romagna Teatro. He studied as actor at Guildhall School of Music and Drama (London). He works as actor and director for theatre and cinema. His short film Cos\u00ec in terra<\/em> was selected for the Cannes Film Festival in 2018. His theatre work as writer has also won a number of prizes: Fratelli<\/em> (Premio Hystrio 2016); Per il tuo bene<\/em> (Premio Riccione-Tondelli 2017), Carbonio<\/em> (Premio Riccione per il Teatro 2021)
\nRACHIDA LAMRABET<\/strong> is the author choosen by KVS- Bruxelles. Lamrabet\u2019s debut Vrouwland<\/em> won her the Debuutprijs \u2013 an award for best newcomer awarded by Boek.be. Next, she wrote a collection of short stories, Een kind van god<\/em>. Alongside her novels, she has gained public attention for her resolute opinions, essays and theatre texts, the latter including Belga<\/em> and De handen van Fatma<\/em>. Under commission from KVS and the Goethe Institute, she wrote the screenplay for Deburkanisation<\/em>, which landed her in the eye of a media storm, resulting in her being dismissed from the board of directors at Unia. In response she wrote her essay Zwijg Allochtoon<\/em>. Lamrabet recently won the biennial Culture Prize KU Leuven and won the Flemish Culture Prize Ultima for Arts.\u00a0
\nIn France, La Com\u00e9die de Reims commissions CHARLOTTE LAGRANGE<\/strong>, a director and writer, and part of theatre company La Chair du Monde. Her work includes D\u00e9sirer tant<\/em> (2018) in which she portrays three generations of women dealing with their desires against the straitjacket of society. This tension between macro and micro stories often recurs in her work, in which see always seeks to interrogate political realities.
\nThe Spanish writer JOS\u00c9 MANUEL MORA<\/strong> graduated in dramatic writing and is founder and artistic director of Madrid Draft.inn, a development space for international collaboration. He also runs Spanish editions of the FRINGE festival and often writes for Peepin Tom. His interdisciplinary writing style is a hallmark of his work. Jos\u00e9 Manuel participates in Between Lands<\/em> with Teatro Calderon de Valladolid.\u00a0
\nLENA KITSOPOULOU<\/strong> is an actress, writer and director from Greece, commissioned by the Onassis Foundation. Her short story collection Nichterides<\/em> won the Best Debut Author Award DIAVAZO in 2007. She has made shows previously for the Onassis Foundation, Theatro Technis in Athens, in Germany and in the UK. She won the Internationaler Autorenpreis for her piece Athanasios Diakos<\/em> at the Heidelberg St\u00fcckemarkt in 2013. Kitsopoulou\u2019s work typically combines contemporary form with classical Greek elements, including myths and rebetika.
\nCentro Dramatico S\u00e3o Jo\u00e3o de Porto has chosen French-Portuguese writer MICKA\u00cbL DE OLIVEIRA<\/strong>. Micka\u00ebl has written for theatre since 2004 and set up Coletivo 84 in 2008 as a structure in which to write and direct. In 2007 he won the Nova Dramaturgia Maria Matos prize for O que \u00e9 teu entregou aos mortais<\/em>. His work has been played in France, Belgium, Switzerland and Norway.\u00a0He is also Artistic Director of the Encontros de Novas Dramaturgias Contemporaneas project, which aims to grow attention for contemporary Portuguese and international writing.\u00a0
\nS\u00cdLVIA NAVARRO PERRAMON,<\/strong> playwright and stage director graduated in Sociology and in Stage Direction and Playwriting, has been commissioned by Teatre Nacional de Catalunya.\u00a0She has written\u00a094 minuts <\/em>(IATI Theater NYC- Barcelona, Tantarantana, 2017),\u00a0Ifig\u00e8nia en Taxi\u00a0<\/em>(Tantarantana, 2019), Coloms, (CDN-Sala Beckett, 2021),\u00a0Our house in flames <\/em>(IATI Theater, NYC, 2021). She won the Ciutat d\u2019Alcoi Playwriting Award 2018 with\u00a0Un turista se su\u00efcida\u00a0<\/em>and Frederic Roda de Teatre Playwriting Award 2020 with\u00a0Negatius.\u00a0<\/em>Chosen for the VIII Laboratorio de Escritura Teatral Fundaci\u00f3n SGAE 2020 with\u00a0El \u00faltimo sovi\u00e9tico\u00a0<\/em>(Published by Fundaci\u00f3n SGAE) and Carme Montoriol grant by Ajuntament de Barcelona 2020 with the play\u00a0Exits pursued by a bear.<\/em><\/p>\n

 <\/p>\n

 <\/p>\n