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\u201c An actor is a bird who brushes the ground with one wing while the other cleaves the skies”<\/p>\n
Ciao Bob\u00f2! And thank you for teaching us how to love life with your ineffable gracefulness and lightness.<\/p>\n
It\u2019s not easy to find, sometimes, the right words to tell about what happens around us with the right necessary simplicity and the proper depth. And yet, we must. Theatre productions Opera Bob\u00f2 was the main actor and took part in most of Pippo Delbono\u2019s film productions.<\/p>\n \nThe whole staff of Emilia Romagna Teatro Fondazione are filled with grief and stand by Pippo, the whole company and Bob\u00f2\u2019s family with love, tanksful for this precious friend. Together with all the ones who loved him and will always do, we want to remember him as an 82-year-old wise child among infinite joyful flowers, who is able to see, from his\u00a0observation bench<\/em>\u00a0of\u00a0Joy<\/em>\u2019s set, beyond any appearances\u2026<\/p>\n Ciao Bob\u00f2 and thank you.<\/p>\n","protected":false},"excerpt":{"rendered":" \u201c An actor is a bird who brushes the ground with one wing while the other cleaves the skies” Ciao Bob\u00f2! And thank you for teaching us how to love life with your ineffable gracefulness and lightness. It\u2019s not easy to find, sometimes, the right words to tell about what happens around us with […]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"yoast_head":"\n\n\n\n\n\n\n\n\n\n\n\n\n\t\n
\nIt is also difficult to find the exact balance between the need, the wish to share specific moments of transition of our lives and the will to discretion. And yet, we must.
\nOn Friday afternoon Bob\u00f2 said farewell to us. Tiptoeing. Possibly it is only by calling him with his stage name that we can tell about this uncatchable tightrope walker\u00a0\u00a0– in life and on stage – in a few words.
\nFor several reasons he was a theatre icon between two millenniums who was able to enchant the audience of the whole world with his grace, his outer space distance and his burning presence \u2013 from Paris to India, from St. Petersburg to Spain through infinite furthers stages of our Country.
\nHis life has been a story of darkness and light. He came into an asylum when he was sixteen and there he met Pippo Delbono, during a theatre workshop Delbono was leading there. And it is right there that their deep and firm friendship started. A friendship which has been developing beyond language and beyond that curious fiction we are used to call \u201cthe reason\u201d.Bob\u00f2 and Pippo. Pippo and Bob\u00f2.
\nBob\u00f2 started to be part of Delbono\u2019s theatre company in 1995 and from that moment on he has been accompanying Pippo and his theatre family in all meticulous, arduous, jovial and painful excursions between life and theatre; looking for an unconditioned honesty in a vortex of masks that Pippo, taking Bob\u00f2 by his hand, has been able to dance<\/i> since then.
\nFrom that moment on, Bob\u00f2\u2019s life has turned into twelve theatre productions, twelve continents spacing far and wide, twelve stars which has been accompanying our path. Twelve\u00a0stations<\/em>\u00a0of a very human and stabbing \u201ccomedy\u201d from rage to joy.<\/p>\n
\n Barboni\u00a0<\/em><\/strong> – Tramps\u00a0<\/em>(1997),\u00a0Guerra<\/em><\/strong>\u00a0– War<\/em>\u00a0(1998),\u00a0Esodo<\/em><\/strong>\u00a0–<\/em> Exodus<\/em>\u00a0(2000),\u00a0Il Silenzio<\/em>\u00a0–<\/em> Silence<\/strong><\/em>\u00a0(2000),\u00a0Gente di Platica<\/em>\u00a0–<\/em> Plastic People<\/strong><\/em>\u00a0(2002),\u00a0Urlo –<\/em>\u00a0Scream<\/strong><\/em>\u00a0(2004),\u00a0Questo Buio Feroce –<\/em>\u00a0This wild Darkness<\/em><\/strong>\u00a0(2006),\u00a0La Menzogna<\/em>\u00a0–\u00a0The Lie<\/strong><\/em>\u00a0(2008),\u00a0Dopo la battaglia –\u00a0After the Battle<\/strong>\u00a0<\/em>(2011),\u00a0Orchidee –\u00a0Orchids<\/strong><\/em>\u00a0(2013),\u00a0Vangelo –\u00a0Gospel<\/strong><\/em>\u00a0(2015),\u00a0La Gioia<\/em>\u00a0–<\/em> Joy<\/em><\/strong>\u00a0(2018).<\/p>\n
\n Cavalleria rusticana<\/em><\/strong>\u00a0– Pietro Mascagni\u00a0(2012),\u00a0Don Giovanni<\/em><\/strong>\u00a0 –<\/em> W.A. Mozart\u00a0(2014),\u00a0Madama Butterfly<\/em><\/strong> – Giacomo Puccini\u00a0<\/em>(2014),\u00a0Pagliacci\u00a0<\/em><\/strong> –<\/em> Ruggero Leoncavallo\u00a0(2018).<\/p>\n