19.30-21.00

RIDOTTO DEI PALCHI
Social Aperitif

8.30-10.00

FOYER
Registration and Welcome Coffee

10.00-11.00

SALA DE BERARDINIS
OPENING SESSION
Osvaldo Panaro – Urban Marketing & Tourism Director at Comune di Bologna
Chiara Elefante – Vice Rector for Human Resources, Alma Mater Studiorum – University of Bologna
Giacomo Manzoli – Head of Department of the Arts, Alma Mater Studiorum – University of Bologna
Josette Féral – EASTAP President
Daniele Vianello – EASTAP Vice-President
Claudio Longhi – Emilia Romagna Teatro Fondazione Artistic Director
Gerardo Guccini – La Soffitta Scientific Coordinator
Lorenzo Mango – CUT (Consulta Universitaria del Teatro) President

11.00-12.00

SALA DE BERARDINIS (Plenary Session)
EASTAP Award Ceremony: Rustom Bharucha – Theatre Director and Dramaturg, India
Between Intercultural Pasts and Futures: Potentialities of Theatre in the Present
Chair: Josette Féral

12.00-13.00

SALA DE BERARDINIS (Plenary Session)
FC Bergman – Theatre Company and Associate Artists of EASTAP, Belgium
The Form as Content
Chair: Claudio Longhi

13.00-13.30

SALA DE BERARDINIS (Plenary Session)
Presentation of Young Scholars’ Forum

13.30-14.45

FOYER
Lunch
A light lunch will be provided in the theatre foyer

PANELS

14.45-16.00

SALA DE BERARDINIS
EXPERIENCES OF DOCUMENTARY THEATRE

• Pierre Katuszewski
  Des théâtres documentés: écritures et pratiques, jeu, réception et traces

• Erica Magris
  “Teatri nomadi”: forme teatrali documentarie e processi compositivi transnazionali

• Varvara Sklez
  Performing Memories of The Distant Past: Between Practice and Research

Chair: Gerardo Guccini

14.45-16.00

SALA SALMON
ROUND TABLE // CREATING A JOURNAL: THE ROLE OF THE EUROPEAN JOURNAL OF THEATRE AND PERFORMANCE WITHIN AND BEYOND EASTAP
Josette Féral – Publishing Director
Agata Łuksza and Luk Van den Dries – Editors-in-Chief
Sophie Lucet – Co-editor Essays Section issue 2
Timmy De Laet – Managing Editor
Lorenzo Mango, Aldo Milohnić and Daniele Vianello – Editorial Board Members

14.45-16.00

SALA ARCHI
PRESENTATION OF PON-METRO PROJECT
It Shall Be So! The City We Want: Social Inclusion through Theatre in the National Operational Programme on Metropolitan Cities 2014-2020
Veronica Ceruti – Municipality of Bologna
Luca Gadler – Emilia Romagna Teatro Fondazione Stefania Paolazzi – Urban Innovation Foundation
It Shall Be So! The City We Want, a project by the Municipality of Bologna, produced by Emilia Romagna Teatro Fondazione, funded by the European Union – European Social Fund, in the context of the National Operational Programme on Metropolitan Cities 2014-2020

14.45-16.00

SALA VETRI
TEXTUALITY PRACTICES BEYOND THE THEATRICAL SPACE

• Chloé Déchery
  Ce que la conférence fait à la performance: un état des lieux sur la conférence performée, essai d’écriture scénique hybride

• Doriana Legge
  “La messa in ascolto”: forme e pratiche della scrittura teatrale per la radio

• Marta Marchetti
  Il lettore in gioco. The Quiet Volume di Tim Etchells e Ant Hampton

Chair: Martynas Petrikas

14.45-16.00

SALA BIANCA
THE THEATRE OF ROBOTS

• Matteo Casari
  Il nō dei robot: l’artificio e l’empatia

• Izabella Pluta
  Lorsqu’un robot raconte une histoire. Texte et programmation dans La Vallée de l’étrange de Stefan Kaegi

• Cinzia Toscano
  Riflessioni e pratiche: la multiforme varietà del teatro dei robot

Chair: Gabriele Sofia

16.00-16.30

Coffee Break

PANELS

16.30-17.45

SALA DE BERARDINIS
PARTICIPATORY PARADIGMS

• Giacomo Pedini
  “Eppur si move”: Stage-Writings for Spectators or with Players?

• Maria de Lourdes Rabetti
  The Dramaturg’s Mediation from Stage to City: Cariocas Experiments

• Carmen Pedullà
  The Role of the Spectator in Participatory Theatre: A Proposal for a Theoretical Model

Chair: Claudio Longhi

16.30-17.45

SALA SALMON
THINKING DANCE

• Elena Cervellati
  Testi da e per la danza. Pratica e teoria nel Manifesto 1992. Danza come arte contemporanea

• Timmy De Laet
  The Textuality of Dance: From Movement to Document toward Historiography

• Giulia Taddeo
  The Age of Anxiety? Choreographing Youthfulness at the Time of the Italian “Economic Miracle”

Chair: Susanne Franco

16.30-17.45

SALA ARCHI
THE TWENTIETH CENTURY AND BEYOND: INVESTIGATION INTO ITALIAN DRAMATURGY

• Roberta Carpani
  La committenza e la composizione del testo nel XXI secolo: tre performances di Laura Curino sulla storia industriale italiana

• Paolo Pizzimento
  La Divina Commedia dal testo alla pratica scenica: l’esperienza del “Teatro delle Albe”

• Dario Tomasello
  “Micro-società”, “Intra-teatralità”, “Nuovo terzo mondo”: dinamiche creative nella drammaturgia italiana novecentesca

Chair: Martina Sottana

16.30-17.45

SALA VETRI
LANGUAGES OF COMPOSITION PRACTICE: TRANSLATING/”TRADERE”

• Rosa Branca Figueiredo
  Creating for the Stage: How Translation Functions in Trans-porting Meaning across Cultures/Languages

• Maddalena Giovannelli
  Un autore in sala prove: il traduttore

• Margherita Laera
  Babel as Utopia? Practicing Multilingualism in the European Rehearsal Room

Chair: Andy Lavender

16.30-17.45

SALA BIANCA
HYBRID FORMS OF STAGE CREATION

• Shintaro Fujii
  Spectacle japonais contemporain à l’heure de la «reprise» et du «reenactment»

• Véronique Perruchon and Nadia Moroz Luciani
  Les concepts de Théâtralité et Performativité de la lumière dans le théâtre contemporain européen et brésilien

• Filippo Romanello
  Theatrical Composition beyond Representation

Chair: Marcela Moura

16.30-17.45

FOYER 1ST FLOOR
YOUNG SCHOLARS’ FORUM:
POSTER PRESENTATION, 1ST SESSION
Contemporary Dramaturgies & Intermedial Perspectives
Curators: Jeroen Coppens and Stefania Lodi Rizzini

• Ricardo Coreia
  Theatre of the Real

• Silvia Dimitru
  Postdramatic Theatre and Deconstruction: An Anti-mimetic Approach to Contemporary Dramaturgy

• Antonio Figueiredo Marques
  Moving People: Intermediality and Presence

• Swan Lichy
  Performativity as a Language of Sense-making for Cultural Service in Local Museum

• Eleonora Marzani
  Cross-breeding Practices for Creating the Stage

• Raquel Maria Rodrigues Madeira
  The Choreographic between Stage and Navigable Network Space

• Gaia Vimercati
  Hunger for Presence: New Perspectives on the Notions of Body and Corporeal Presence in Contemporary Circus

• Rezvan Zandieh
  Injured Body and Bloody Body of the Artist. History, Concept and Aesthetic

• Xuang Xiao
  Screendance. Geographies and Aesthetics of an Art in Motion

18.00-19.00

SALA DE BERARDINIS (Plenary Session)
Lola Arias – Writer, Theatre and Film Director, Performer, Argentine
Theatre as a Remake of the Past
Chair: Josette Féral

8.30-9.15

HALL
Registration

PANELS

9.15-10.30

AUDITORIUM
RECONFIGURING DRAMATURGIES OF AUTHENTICITY

• Thomas Rosendal Nielsen
  Emersive Dramaturgy
• Erik Exe Christoffersen
  Singularization
• Annelis Kuhlmann
  Collapsibility: Dramaturgical Consciousness as Social (Lack of) Consciousness

Chair: Aldo Milohnić

9.15-10.30

TEATRO
THE ACTOR’S CREATIONS AND BIOGRAPHY IN THEATRE DIRECTION

• Lada Cale Feldman
  The Stratified Actor: Eichmann in Jerusalem at the Zagreb Youth Theatre

• Armando Petrini
  Composizioni d’attore. Il caso dell’attore-regista: Carmelo Bene e Leo de Berardinis

• Beata Popczyk-Szczęsna
  Creating for the Stage – New Biography

Chair: Raimondo Guarino

9.15-10.30

SALA SEMINARI
DANCE BETWEEN INTROSPECTION AND POSSESSION

• Eliane Beaufils
  Des mises en mouvement de l’écriture. Chétouane, Gehmacher, Marouda

• Lindsey Drury
  Staging “Pagan Dance” in the Early Twentieth-Century United States

• Cláudia Marisa
  Acts of Intimacy: Simulacrum and Belief in Contemporary Dance

Chair: Rossella Mazzaglia

9.15-10.30

SPAZIO CINEMA
“OLD MASTERS”: WRITING FOR THE STAGE THINKING ABOUT THEATRE DIRECTION

• Julia Nawrot
  Between Theory and Practice: Tadeusz Kantor’s Cricotages as New Spaces of Representation

• Fernando Matos Oliveira
  Monodrama, Solo Performance, One-to-One Performance: Scenes of Monological Reminiscence

• Wenju Zhu
  Samuel Beckett’s Revised Stage-Writing from the Intermedial Perspective of Visual Arts

Chair: Laurens De Vos

9.15-10.30

HALL
THEATRES OF FIGURE

• Cristina Grazioli
  La Marionetta come Figura: un modello di composizione per il teatro d’attori

• Laurette Burgholzer
  (Se) jouer de la théorie? Haïkus gestuels et micro-drames dans le théâtre de marionnettes contemporain

• Francesca Di Fazio
  Drammaturgie originali per il teatro di figura contemporaneo. Il lavoro di Gigio Brunello e Gyula Molnàr

Chair: Roberta Ferraresi

10.30-11.00

Coffee Break

11.00-12.00

AUDITORIUM (Plenary Session)
Marta Cuscunà – Actor and Author, Italy
Animatronica e componentistica industriale applicate alla scena – Animatronics and Industrial Components Applied to the Stage
Chair: Clare Finburgh Delijani

PANELS

12.15-13.30

AUDITORIUM
IMMERSIVE DRAMATURGIES

• Ida Krøgholt
  Dramaturgy of the Spectator: How the One-to-One Performance Garden Gave Direction to the Spectator’s Sensations

• Louise Ejgod Hansen
  Immersed into a Capital of Culture: Rethinking Theatre in Aarhus 2017

• Josefine Brink Siem
  Putting Yourself in the Space of Another: Towards an Atmospheric Approach to Immersive Performances

Chair: Annelis Kuhlmann

12.15-13.30

TEATRO
BODY, IMAGINATION, MOVEMENT: OTHER WAYS OF WRITING

• Guy Cools
  Rewriting Distance: How to Make Writing Embodied and Performative

• Ulla Kallenbach
  Writing for the Imagination: Designing the Spectator’s Imaginative Performance in the Drama Text

• Rosa Lambert
  When Text Becomes Movement: The Kinetic Quality of Writing

Chair: Giulia Taddeo

12.15-13.30

SALA SEMINARI
MUSICAL THEATRE

• Magdalena Figzał-Janikowska
  Seeing Sound: Music Performativity in the Theatre of Georges Aperghis, Niels Rønsholdt and Wojtek Blecharz

• Sebastian Stauss
  Filling Gaps by Adjusting Opera for Younger Audiences

• Alessandro Turba
  Riscoprendo All’Italia, “unicum” teatrale di Sylvano Bussotti

Chair: Chloé Déchery

12.15-13.30

SPAZIO CINEMA
TRAUMA/CRISIS/GRIEF THROUGH THEATRE

• Darija Davidovic
  Crossing the Line, Highlighting The Women’s Side of War − Staging Unfinished Pasts by Dah Teatar Belgrad

• Senad Halilbašić
  Staging Competing Histories – War (of) Memory in Contemporary Bosnian Theatre

• Ioanna Lioutsia
  Contemporary Greek Theatre: How Crisis Spawned Drama

Chair: Patricia Gaborik

12.15-13.30

HALL
THE COLLECTIVE/COMMUNITY PLAY IN THEATRE

• Marion Boudier
  «La dramaturgie prospective». Accompagner l’écrivain de spectacle Joël

  Pommerat

• Magdalena Hasiuk
  Le théâtre Węgajty – de l’épopée et de la création collective aux collages des textes d’acteurs et le Devised Theatre

• Marcela Moura
  Les dynamiques complexes de la scène théâtrale de Joël Pommerat

Chair: Erica Magris

13.30-14.30

HALL
Lunch
A light lunch will be provided in the Hall of the DAMSLab

PANELS

14.30-15.45

AUDITORIUM
EVOLUTIONARY TRAJECTORIES IN CONTEMPORARY DRAMATURGICAL PRACTICES

• Laurens De Vos
  A Tale of Truth: Milo Rau’s Writing beyond Postmodernism

• Roberta Ferraresi
  Scritture “ready-made”. Pratiche drammaturgiche della scena contemporanea

• Aldo Milohnić
  On Rewriting Classic Plays in Contemporary Postdramatic Theatre

Chair: Luk Van den Dries

14.30-15.45

TEATRO
RETHINKING THE THEATRE

• Silvia Mei
  Metateatralità nella scena italiana contemporanea, ovvero sulla difficoltà di fare (il proprio) teatro

• Janek Szatkowski
  Poietic Hierarchy as a Dramaturgical Tool in the Composition of Performance

• Agata Tomšič
  Il modello atlantico come paradigma compositivo contemporaneo

Chair: Giacomo Pedini

14.30-15.45

SALA SEMINARI
POSTDRAMATIC THEATRES

• Luule Epner
  Writing for Postdramatic Theatre: The Case of Estonia

• Arianna Frattali
  Da Genet alla Fortezza: un teatro postdrammatico

• Dror Harari
  Postdramatic Theatre as an Emergent Phenomenon – Viewed Through Marion’s Philosophy of Excess

Chair: Fabrizio Deriu

14.30-15.45

SPAZIO CINEMA
THE POLITICAL DIMENSION TO THEATRE PRACTICE

• Rui Pina Coelho
  Attempts to Change the World in Tiago Rodrigues and Joana Craveiro’s Rehearsal Room

• Diana Damian Martin
  Stat-ing the Body: Composition as Politics, Politics as Composition

• Fabrizio Fiaschini
  Il gesto teatrale come forma compositiva della scrittura politica

Chair: Sylvie Roques

14.30-15.45

HALL
FOR A REDISCOVERY OF ITALIAN THEATRE FROM THE FIRST HALF OF THE TWENTIETH CENTURY

• Patricia Gaborik
  Stirring the Collective Passions: In Search of a Dramaturgy for the Fascist Masses

• Laura Piazza
  Contro Sire Le Mot. Achille Ricciardi régisseur e riformatore

• Gabriele Sofia
  Giovanni Grasso drammaturgo? Un esempio di pratiche di composizione del teatro dialettale

Chair: Angelo Vassalli

15.45-16.15

Coffee Break

PANELS

16.15-17.30

AUDITORIUM
ARGOS PROJECT
• Edith Cassiers, Luk Van den Dries, Chiara Guidi, Sophie Lucet, Antonia Vasilakou, Avra Xepapadakou
Ob-serving Making Theatre: Towards a Methodology for the Observation of Creative Processes

16.15-17.30

TEATRO
AT THE ROOTS OF THE COMPOSING PROCESSES

• Raimondo Guarino
  The Generation of Plays in Early-Modern Europe: Defining Drama between Books and Stages

• Isabella Molinari
  Dal pennello alla scena. L’Accademia degli “Uniti” del Cavalier d’Arpino (1608): pratiche e drammaturgia

• Armando Rotondi
  Aesthetics and National Identity: Mihail Pascaly’s Theories in First Romanian Theatre

Chair: Franco Perrelli

16.15-17.30

SALA SEMINARI
AT THE BORDERS OF THEATRE: ESSAY AND LANDSCAPE

• Jasper Delbecke
  Revisiting the Scenic Essay

• Stéphane Hervé
  Un théâtre mélancolique. Les paysages au-delà de la scène

• Tomaž Toporišič
  Essay on Stage: The Artistic Practice Introducing a Germ into the Cultural Matrix

Chair: Knut Ove Arntsen

16.15-17.30

SPAZIO CINEMA
THEATRICAL, LINGUISTIC, FORMAL MIXTURES

• Laura Budriesi
  Il “teatro vissuto” di Gisèle Vienne in Jerk (2008-2018)

• Lorenzo Donati
  Oggetti teatrali non identificati: verso un nuovo modello drammatico?

• Monica Garavello
  Quando teatro e cinema convivono sulla scena: due spettacoli a confronto

Chair: Anna Barsotti

16.15-17.30

HALL
FEMALE SINGULARITY BETWEEN ORGANIZATION AND CREATION

• Małgorzata Budzowska
  Postdramatic Composition of a Stage Script in the Production of The Bacchae by Maja Kleczewska

• Selene D’Agostino
  Transit Festival An International Women’s Theatre Festival: Towards a Composite Dramaturgy

• Simona Scattina
  Il postmodernismo “intenso” di Emma Dante

Chair: Stefania Lodi Rizzini

17.45-18.45

AUDITORIUM (Plenary Session)
Marco Martinelli – Founder, Playwright and Director of the Teatro delle Albe, Italy
Ai margini: l’irriducibile forza dell’evento teatrale – On the Edge: The Irreducible Strength of the Theatrical Event

Chair: Gerardo Guccini

8.30-9.15

HALL
Registration

PANELS

9.15-10.30

AUDITORIUM
THEATRICAL INTERACTIONS IN POSTDRAMATIC TIME

• Knut Ove Arntzen
  The Ressurected Theatre Machine: A Postdramatic Paradox

• Davide Cioffrese
  Ontroerend Goed: Dramaturging the Performance of the Unsettling

• Fiona Graham
  Performing Dramaturgy: The Interventions of the Dramaturge in Performance Development

Chair: Timmy De Laet

9.15-10.30

TEATRO
COMMUNITY SHAPES OF THEATRE

• Rūta Mažeikienė
  From Personal Stories to Collective Narratives: Stage-Writing in Community Theatre

• Annamaria Sapienza
  La scena flessibile: spazio e relazione nel teatro comunitario

• Fabrizio Deriu
  M2 di Dynamis Teatro. Un intervento pratico-critico sulla percezione dello spazio umano

Chair: Josette Féral

9.15-10.30

SALA SEMINARI
WRITING AND “DOCUMENTING” DANCE

• Annamaria Corea
  Games of Sources and Rules of Composition in “Shakespearian” Ballet between XVIII and XIX Centuries

• Concetta Lo Iacono
  La mise en scène della Muette de Portici. Un livret tra teatro musica e danza

• Samantha Marenzi
  Composizione visiva. La fotografia di danza tra documento e creazione artistica

Chair: Elena Cervellati

9.15-10.30

SPAZIO CINEMA
EMBEDDING WORLDS

• Sylvie Roques
  Du Tour du monde (1874) aux propositions contemporaines: métamorphose des pratiques scéniques

• Victor Thimonier
  Fictions encyclopédiques sur les scènes contemporaines

• Gaia Vimercati
  Hunger for Presence: nuove prospettive sui linguaggi della corporeità nel circo contemporaneo

Chair: Cristina Grazioli

11.00-12.00

AUDITORIUM (Plenary Session)
Tue Biering – Theatre-maker, Denmark
You are all Hostages of Me: Reclaiming Stage-Writing to Counter Stereotypes
Artist talk presented by the Department of Dramaturgy, Aarhus University, on the occasion of its 60-year jubilee 1959-2019
Chair: Annelis Kuhlmann

12.00-12.30

AUDITORIUM (Plenary Session)
OBSERVATOIRE CRITIQUE: Work Presentation
Curator: Erica Magris

12.30-14.00

AUDITORIUM
ROUND TABLE // CLOSING SESSION
Among the Speakers:
Josette Féral – EASTAP President
Daniele Vianello – EASTAP Vice-President
Claudio Longhi – Emilia Romagna Teatro Fondazione Artistic Director
Gerardo Guccini – La Soffitta Scientific Coordinator