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Best Regards

Premiere: Fonderie Limone MONCALIERI, 7/10/2020 (anteprima italiana)

About this event

Marco D’Agostin writes an impossible letter to Nigel Charnock, the British performer and choreographer, founder of DV8 Physical Theatre and a groundbreaking figure in contemporary dance. He met him in 2010, and from then on, his presence shaped the way D’Agostin thought about the stage: as a place where voice, body, singing, irony, pain and desire can coexist.

In Best Regards, the letter arrives eight years late, addressed to someone who can no longer reply. Yet from this absence emerges a secular, pop-infused tribute, charged with a restless sense of nostalgia. Alone on stage, D’Agostin does not build a monument; instead, he tries to keep a dialogue alive, to confront what remains of a master when the time to speak to him has run out.

The body becomes a blank page, a microphone, a dance floor, a song, a place where memory is not preserved but explodes. Moving between dance, spoken word, singing and gesture, Best Regards is both a farewell and a new beginning: a physical, melancholic and vibrant performance that transforms loss into an act of presence.

Lenght: 60 minutes

 

local_shipping

Tour

2023/2024
2021/2022
from 21/09/2021 to 23/09/2021

Artistic Data

by and with Marco D’Agostin
sound, graphics LSKA
texts Chiara Bersani, Marco D’Agostin, Azzurra D’Agostino, Wendy Houstoun
lighting Giulia Pastore

set construction Andrea Sanson, Simone Spangaro
scientific consultancy The Nigel Charnock Archive, Roberto Casarotto
dramaturgical consultancy Chiara Bersani, Claudio Cirri, Alessandro Sciarroni
technical consultancy Eleonora Diana, Luca Poncetta, Paola Villani, Andrea Sanson
movement coach Marta Ciappina
technical direction Paolo Tizianel
care and promotion Damien Modolo
organisation and administration Eleonora Cavallo, Federica Giuliano
production VAN
in co-production with KLAP Maison pour la danse à Marseille, Rencontres chorégraphiques internationales de Seine-Saint-Denis, CCN2 – Centre chorégraphique national de Grenoble, Emilia Romagna Teatro / ERT Teatro Nazionale
with the support of Points communs, Nouvelle scène nationale de Cergy-Pontoise et du Val d’Oise, Centrale Fies, CSC/Centro per la Scena Contemporanea (Bassano del Grappa), Marche Teatro/inTeatro Festival, the WorkRoom (Fattoria Vittadini), Teatro Comunale di Vicenza, L’arboreto – Teatro Dimora | La Corte Ospitale ::: Centro di Residenza Emilia-Romagna, ARTEFICI.ResidenzeCreativeFvg di ArtistiAssociati

as part of Infìnita – Landscapes of Dance

photo by Alice Brazzit

a production of Best Regards • Production Emilia Romagna Teatro